"...that wasn't the movie, that
was real life. He kept getting the two mixed up, Chili's Hollywood
Adventure and whatever the other
one was..."
How
you guys could have let me go 24 years without telling me to read
Elmore Leonard I'll never understand. Why, why
did you not tell me to read Get Shorty?
I mean, I had heard of the movie, but had no knowledge of Elmore
Leonard or other contemporary crime writers. No- I was buried in the
19th century, which was fine, but now I'm needing to catch up to more
contemporary writing in a big way because a lot of it is pretty
awesome.
Fact is, though,
Chili's been developing this talent for storytelling and directing
for much of his life, getting people to, *e-hem*, do what he politely
asked them to do (which usually involved paying back loans with
sky-high interest) and maneuvering around people who wanted to kill
him by going after them first or getting lucky by being in the right
place at the right time. Pretty soon, Chili's starting to get
confused about which story is his life and which is the script that
his friend Harry is pitching to the studios (Chili keeps revising the
latter with help from some actors). Leonard ups the ante further by
abandoning the usual paragraph style at times and writing instead in
script form, as if the novel itself is slowly turning into a film
script.
And
even with all of these goings-on, Chili is chasing one guy down for
money while another guy is chasing him
down for revenge. Everybody's trying to figure out everybody else's
next move, and it's one crazy ride, let me tell you. Highly
recommended.
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