Lovely, introspective, hypnotic, addictive. I wasn't surprised.
Even
though I've only read one other Murakami novel so far (The
Wind-Up Bird Chronicles),
I knew that this latest offering would be tantalizingly obscure and
beautifully written. Murakami wields words like a master craftsman,
making his complex creations seem so easy and effortless.
Here, Murakami weaves the haunting music of Liszt into a story of one
man's effort to find the purpose of his existence. An engineer and
builder of railroad stations,
Tsukuru spends much of his time thinking about his own past and the
pain and confusion he felt when his four closest friends inexplicably
cut him off. He spends his days and nights doing mundane, ordinary
things, but the nighttime brings erotic dreams that trouble his
waking hours. Only when a woman he starts seeing pushes him to find
out why he was cast out of his close-knit group of friends does
Tsukuru think more deeply about the incident and about his own
potential failures.
The
answers that Tsukuru finds underscore his existence as a waystation-
a stable, reliable structure that remains still while others
constantly pass through on their way elsewhere. Tsukuru thinks about
this often, calling himself "colorless" (because "Tsukuru"
doesn't refer to any color but to "making" or "building")
and empty. And yet, he manages to attract friends and lovers, even if
they don't remain with him.
The
end of Colorless
Tsukuru Tazaki
suggests that so much more needs to be written about Tsukuru. It's as
if this novel could function as the first in a trilogy or tetralogy,
allowing Murakami to explore more fully the complexities of memory,
friendship, and self.
Nevertheless, I devoured this book, and I highly recommend it.
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