Yes,
I know, unbelievable
that it took me this
long
to get around to reading Tenth
of December,
but now I've done it and...well...*mind. blown.*
I think Karen Russell (another fantastic writer of short stories)
says it best: "[I] read Saunders because he always makes me want
to write. He reads like he's having such a good time..."
Yes,
yes, and yes. I find I get as much enjoyment out of Saunders as I do,
say, when I read Arthur C. Clarke (one of my favorites). The energy,
stylistic experimentation, and twisted satire in Saunders' stories
reminds me of how incredibly strange the world is and how ultimately
unknowable are the people in it.
Many of the stories in this collection are variations on that old
free will vs. determinism debate: must I live up to my
family's/friends' expectations or do what I think is right under the
circumstances? Am I brave enough to do something original or
unexpected? Do I have to always consider the consequences?
The
bizarre and dark "Escape from Spiderhead" is a powerful
example of such concerns. Despite being treated like a lab rat in a
maze, controlled by drugs and used for behavioral experiments, one
former criminal decides that being a bystander to another person's
suffering is ultimately intolerable. Thus, in one of the most
constrictive, deterministic settings a writer could create, one man
does the unexpected, sacrificing himself in the process.
In
"Victory Lap" and "Tenth of December," Saunders
deftly moves among his characters, presenting multiple perspectives
on the same situation, as if trying to give the reader the "whole"
story. Gaps remain, though, and the basic psychological isolation of
each character is made even more apparent, because for every action,
there are pages of inner monologue. And once again, these characters
are confronted with a decision: do the usual/safe thing or the
right/"honorable"/helpful/dangerous thing?
It
is children, ultimately, who do the latter in the horrifying but also
weirdly-funny story "The Semplica Girl Diaries," when they
set loose a group of poor immigrant girls strung up on the family
lawn as an ornament (they hang- alive- with a wire threading them
together through their skulls). Told through the diary entries of a
middle-aged father and husband, the story is so ABSURD that you can't
even laugh you want to laugh so hard. This character digresses, veers
quickly between joy and desperation, and often uses shorthand
expressions involving the "+" and "=" signs,
suggesting a hectic mind. His intense interest in his own affairs
render him ridiculously blind to the outrageousness of hanging living
humans in his yard as an ornament, or for any other reason. His
worries over what his family thinks of him border on the obsessive.
And it is this blindness that allows his children to act humanely
when he cannot.
So,
will I be reading more George Saunders? You
bet your bookcases I will.
Like Karen Russell said, he inspires you to write, to explore your
own world and its weirdnesses. And that is the mark of a great
writer.
Yes! It took me a while to get the book but I'm so glad I did. Escape From Spiderhead is such a great story. I was pleasantly surprised by the science fiction element present in the stories, as "genre" is often a bad word in the circles higher literature.
ReplyDeleteAnd you are right about the writing; fantastic AND looks like Mr. Saunders is just having a great time.